Contemporary African American writing negotiates the twinned crises of anthropogenic climate change and anti-Black violence by thinking in new ways about scale
The history of the contemporary is a history of crisis – most centrally, the twinned crises of environmental destruction and anti-Black violence. Transscalar Critique argues that contemporary Black literature navigates this crisis by taking a transscalar approach, understanding crisis as working on multiple scales simultaneously, from the molecular to the geological, from the economic to the aesthetic. As a consequence, this book proposes transscalar critique as a mode of literary criticism. Organized around specific crises and authors, Transscalar Critique argues that crisis offers a window into how competing analytical, artistic, and planetary frameworks collide. In a moment of crisis, questions of race, geology, politics, epistemology, and ontology are brought into focus in surprising and unexpected ways and Transscalar Critique uses the literary, critical, and public policy responses to these events to reveal connections between the human and nonhuman worlds.
Acknowledgments
Introduction: Ecologies of Crisis
Chapter 1: Crisis Realism: Writing Economically, Thinking Ecologically
Chapter 2: Global Weirding: Climate Crisis and the Anthropocene Imaginary
Chapter 3: Transscalar Blackness: Race and the Long Anthropocene
Chapter 4: Improbable Metaphor: Jesmyn Ward and the Asymmetries of the Anthropocene
Chapter 5: Unmitigated Blackness: Paul Beatty’s Transscalar Critique
Works Cited
Henry Ivry's Transscalar Critique offers a penetrating response to the Anthropocene's problem of scale. Necessary and urgent,Transscalar Critique centres Black Studies as a vital precursor to contemporary examinations of scale. In doing so it provides an essential corrective to the study of the Anthropocene in literature.