Theory of the Object

Thomas Nail

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Describes a new, systematic process philosophy of science and technology focused on the agency and mobility of objects
  • Tells the first history of Western science and technology focused on the agency and mobility of objects
  • Argues that objects are metastable processes, not discrete things, unlike other theories that consider objects as passive and static
  • Surveys many areas of contemporary thought including new materialism and speculative realism as well as quantum theory, category theory and chaos theory

Throughout the history of science and technology, objects have been understood in many ways but rarely have they been understood to play an active role in the production of knowledge. This has led to largely anthropocentric theories and histories of science, which treat nature as passive objects viewed by independent observers.

Thomas Nail approaches the theory of objects historically in order to tell a completely new story in which objects themselves are the true agents of scientific knowledge. They are processes, not things. It is the first history of science and technology, from prehistory to the present, to illuminate the agency, knowledge and mobility of objects.

Introduction: A World of Objects

Part I: The Kinetic Object

1. The Flow of Matter

2. The Fold of Number

3. The Field of Knowledge

Part II: A History of Objects

I. The Ordinal Object

4. The Centripetal Object

5. The Prehistoric Object

II. The Cardinal Object

6. The Centrifugal Object

7. The Ancient Object I

8. The Ancient Object II

III. The Intensive Object

9. The Tensional Object

10. The Medieval Object I

11. The Medieval Object II

IV. The Potential Object

12. The Elastic Object

13. The Modern Object I

14. The Modern Object II

Part III: The Contemporary Object

The Loop Object

15. The Pedetic Object

16. The Contemporary Object I: Quantum Theory

17. The Contemporary Object II: Category Theory

18. The Contemporary Object III: Chaos Theory

Conclusion

Index

Nail's view of the object can be characterized as "change is the only constant" (to quote those who have gone before). Nail (Univ. of Denver) sets out to convince readers that reality is not a stable essentialist subject/object dichotomy but rather a materialist process of kinetic historical progression. (...) That said, Nail's writing style is generally approachable, so even readers not drawn to academic philosophy of science might find this an interesting read.
J. Gough, CHOICE
This book can act as a bridge that will create understanding between a wide variety of scientific practice, as all of us can connect to the material processes Nail describes. Something that, admittedly, most of the research I engage and compare his writing to, will not.
Milan Kroulík, MATTER
This book can act as a bridge that will create understanding between a wide variety of scientific practice, as all of us can connect to the material processes Nail describes. Something that, admittedly, most of the research I engage and compare his writing to, will not.
Milan Kroulík, MATTER
Nail’s inter-disciplinary command skilfully navigates debates about the nature of reality across the humanities, mathematics and the sciences. We learn that objects are indeterminate, and objectivity, observation and even anthropocentrism are not what they seem. By destabilizing foundations Nail’s kinesis and process history provokes fascinating quandaries and speculative possibilities.
Vicki Kirby, University of New South Wales
Thomas Nail is Distinguished Scholar and Professor of Philosophy at the University of Denver. He is the award-winning author of eight prestigious University Press books which cover a wide range of topics including migration, borders, technology, digital media, history, science, economics, contemporary politics and climate change. His current research focuses on the influence of mobility on society and the arts in the 21st century. His work has been translated into ten major languages and cited across more than 20 academic disciplines.His published books are Marx in Motion: A New Materialist Marxism (Oxford University Press, 2020), Lucretius II: An Ethics of Motion (Edinburgh University Press, 2020), Theory of the Image (Oxford University Press, 2019), Being and Motion (Oxford University Press, 2018), Lucretius I: An Ontology of Motion (Edinburgh University Press, 2018), Theory of the Border (Oxford University Press, 2016), The Figure of the Migrant (Stanford University Press, 2015) and Returning to Revolution: Deleuze, Guattari, and Zapatismo (Edinburgh University Press, 2012).He also writes for Aeon: Ideas and Culture, The Huffington Post, Quartz, Pacific Standard: The Science of Society, History News Network and Monthly Review.

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