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The New Soundtrack

Volume 3, Issue 2

Edited by Stephen Deutsch, Larry Sider, Dominic Power


All sounds accompanying film are to some extent emotive, and some are literal

This special issue features articles that consider the immersive experience of film and cinema. A biannual journal, The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images.





Listen to Nice
Geoffrey Cox


Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunities
Gianluca Sergi


Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009)
Jean Martin


What do we hear? The pluralism of sound design in Hollywood sound production
Benjamin Wright


The sounds of space: Social space and social listening (Part 1)
Tom Lock Griffiths


Altered States, Altered Sounds: An investigation of how ‘subjective states’ are signified by the soundtrack of dream sequences in narrative fiction cinema
Gilbert Gabriel

About the Author

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.

Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.

Dominic Power is an independent writer and film historian.

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