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The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.
Contents
Editorial
Articles:
Robert Altman's last hurrah: A Prairie Home Companion
Richard Combs
Game audio's journey: The New Soundtrack Interview with John Broomhall
Creating a new sound world for Dracula (Browning 1931)
Titas Petrikis
The auditory spectacle: designing sound for the ‘dubbing era’ of Indian cinema
Budhaditya Chattopadhyay
Sound, music and film – towards a total sonic fabric
Desmond Bell
Articles:
Robert Altman's last hurrah: A Prairie Home Companion
Richard Combs
Game audio's journey: The New Soundtrack Interview with John Broomhall
Creating a new sound world for Dracula (Browning 1931)
Titas Petrikis
The auditory spectacle: designing sound for the ‘dubbing era’ of Indian cinema
Budhaditya Chattopadhyay
Sound, music and film – towards a total sonic fabric
Desmond Bell
About the Author
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.
Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.
Dominic Power is an independent writer and film historian.
Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.
Dominic Power is an independent writer and film historian.
