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The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.
Contents
Editorial Welcome
‘Ghosts of Songs’: The Haunting Soundtracks of the Black Audio Film Collective
Kate Bolgar Smith
Ventriloquial Acts: Critical Reflections on the Art of Foley
Matt Lewis
‘The Rest is Silence’: Psychogeography, Soundscape and Nostalgia in Pat Collins’ Silence
Aimee Mollaghan
Character as DJ: Melomania and Diegetically Controlled Music
Jennifer O’Meara
The Soundscapes of Conflict
Nadim Mishlawi and Rana Eid
The School of Sound 2015
Stephen Deutsch and Larry Sider
‘Ghosts of Songs’: The Haunting Soundtracks of the Black Audio Film Collective
Kate Bolgar Smith
Ventriloquial Acts: Critical Reflections on the Art of Foley
Matt Lewis
‘The Rest is Silence’: Psychogeography, Soundscape and Nostalgia in Pat Collins’ Silence
Aimee Mollaghan
Character as DJ: Melomania and Diegetically Controlled Music
Jennifer O’Meara
The Soundscapes of Conflict
Nadim Mishlawi and Rana Eid
The School of Sound 2015
Stephen Deutsch and Larry Sider
About the Author
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.
Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.
Dominic Power is an independent writer and film historian.
Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.
Dominic Power is an independent writer and film historian.
