The Case of Sherlock Holmes

Secrets and Lies in Conan Doyle's Detective Fiction

Andrew Glazzard

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Reveals the secrets and stories that lie beneath the surface of Watson’s narratives

The Case of Sherlock Holmes uncovers what is untold, partly told, wrongly told, or deliberately concealed in Arthur Conan Doyle’s Sherlock Holmes saga. This engaging study uses a scholarly approach, combining close reading with historicism, to read the stories afresh, sceptically probing Dr Watson’s narratives and Holmes’s often barely credible solutions. Drawing on Victorian and Edwardian history, Conan Doyle’s life and works, and Doyle’s literary sources, the book offers new insights into the Holmes stories and reveals what they say about money, class, family, sex, race, war, and secrecy.

Key Features
  • New insights into the ever-popular Holmes stories
  • New contexts for late-Victorian and Edwardian detective fiction, from forgotten scandals to the social controversies of the age
  • A literary-critical approach to these popular works that is both scholarly and accessible

List of illustrations

Acknowledgements

Texts and References

Introduction: The Art of Deduction

Part One: Finance

1. Stone into Money

2. The Roylotts of Stoke Moran

3. The Guardians of Securities

Part Two: Class

4. The Pick of a Bad Lot

5. The Fall of the House of Musgrave

6. A Scandal in East Yorkshire

Part Three: Family

7. Singular Occurrence at a Wedding

8. The Rock of Gibraltar

9. The Discreetly Shadowed Corners

Part Four: Sex

10. The Worst Man in London

11. The Whole Queer Business of Wisteria Lodge

Part Five: Race

12. Nice, Amiable People!

13. A Nobler Man Never Walked the Earth

14. The Heat of the Amazon Was Always in her Blood

Part Six: War

15. This Circle of Misery and Violence and Fear

16. Do We Progress?

17. The East Wind

Part Seven: Secrecy

18. That Secret History of a Nation

19. Oaths and Secrets

20. The Giant Rat of Sumatra

Conclusion: The Problem of Finality

Bibliography

Index

Erudite and enjoyable, Andrew Glazzard’s book replaces the Sherlock Holmes stories in a contemporary context of small social details and large cultural and economic forces. If you thought you knew the Holmes stories, think again: this study detects a hoard of secret treasure in them, enriching our reading and leaving us with an even greater respect for their importance.
Douglas Kerr, University of Hong Kong
In The Case of Sherlock Holmes: Secrets and Lies in Conan Doyle’s Detective Fiction, Glazzard revisits the “unnoticed” little things that run throughout the canon, hoping to revise our appreciation of how profoundly these stories are engaged with the social and political challenges of their time.
Christopher Metress, English Literature in Transition 1880 - 1920
A scholarly work, but also an accessible one for anyone with even a passing interest in the character, its author or the time in which the stories were set. Glazzard manages to delve deep into the psyche of Conan Doyle and of Holmes.
Karl Hornsey, On: Yorkshire Magazine
[...]a fascinating, thought-provoking, and highly enjoyable read. The book should be required reading for students taking courses in crime fiction or late nineteenth-century culture: it is an invaluable corrective of the tendency to generalize about social developments of the time. But The Case of Sherlock Holmes will also attract a wide readership of Holmes enthusiasts and scholars of early genre fiction alike, all of whom are likely to encouter new insights into the historical world of the stories.
Penny Fielding, University of Edinburgh, Victorian Studies, 2019
The book should be required reading for students taking courses in crime fiction or late nineteenth-century culture: it is an invaluable corrective of the tendency to generalize about social developments of the time. But The Case of Sherlock Holmes will also attract a wide readership of Holmes enthusiasts and scholars of early genre fiction alike, all of whom are likely to encounter new insights into the historical world of the stories.
Penny Fielding, University of Edinburgh, Victorian Studies, Vol. 61, No. 4
Andrew Glazzard is a senior research fellow at the Royal United Services Institute. He is the author of Conrad’s Popular Fictions (Palgrave Macmillan, 2016) and of numerous journal articles on late-Victorian and Edwardian fiction. He is an occasional contributor to the New Statesman.

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