Margaret McGowan is the doyenne of British dance historians; in celebration of her long and distinguished career and to coincide with its Silver Anniversary, the scholarly journal Dance Research has invited a number of distinguished dance historians and colleagues working in arts cognate with dance to contribute essays in her honour. The connecting theme is dance as an over-arching and stimulating agent, contributing to cultural and intellectual life during the early modern period in ways that were broader and more profound in their influence than is often recognised.
The Barriers: from Combat to Dance (Almost), Sydney Anglo
'Rules for Design': Beauty and Grace in Caroso's Choreographies, Jennifer Nevile
Fragment of the Sovereign as Hermaphrodite: Time, History, and the Exception in Le Ballet de Madame, Mark Franko
Dancing Towards Death: Masques and Entertainments in London and Florence as precedents for Thomas Middleton's Women Beware Women, J. R. Mulryne and Margaret Shewring
Burlesque Ballet, a Ballad and a Banquet in Ben Jonson's The Gypsies Metamorphos'd (1621), Barbara Ravelhofer
From Tragicomedy to Epic: The Court Ballets of Desmarets de Saint-Sorlin, Marie-Claude Canova-Green
Jean II Berain's Costume Designs for the Ballet Les Plaisirs de la Paix (1715), Jérôme de la Gorce
Into the Labyrinth: Kenneth MacMillan and his Ballets, Clement Crisp
The Publications of Margaret M McGowan.