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Text and Image in Medieval Persian Art

Sheila S. Blair


Investigates the interaction between word and image in medieval Persian art

Focusing on 5 objects found in the main media at the time - ceramics, metalwares, painting, architecture and textiles - Sheila S. Blair shows how artisans played with form, material and decoration to engage their audiences. She also shows how the reception of these objects has changed and that their present context has implications for our understanding of the past.

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I. The Art of Writing: A Bowl from Samarqand
1. Provenance
2. The Ceramic Setting
3. Inscriptions
4. Script
5. Clientele
6. Wider Horizons
7. Afterlife
II. Perfuming the Air: A Rosewater Sprinkler from Herat
1. Provenance
2. The Geographical and Historical Setting
3. Metalwares from Herat
4. Patronage
5. Function
6. Decoration
7. Afterlife
III. Monumentality under the Mongols: the Tomb of Uljaytu at Sultaniyya
1. Construction and Redecoration
2. Reasons for Redecoration
3. The Pious Foundation
4. The Architectural Setting
5. The Tomb as Inspiration for later Mongol Rulers
6. The Tomb as inspiration for the Ilkhanids’ Rivals
7. Afterlife
IV. A Romantic Interlude: The Wedding Celebration from a Manuscript with Three Poems by Khwaju Kirmani
1. The Text and its Calligrapher
2. The Illustrated Folios
3. Adding the Paintings
4. The Royal Setting
5. The Role of Women
6. Afterlife
V. Proclaiming Sovereignty: The Ardabil Carpets
1. Provenance
2. The Inscription
3. Gifts to shrines
4. Why Ardabil in the 1540s?
5. The Repurposed Jannat Saray
6. Afterlife at the Shrine
7. Afterlife in the West
VI. Conclusion

About the Author

Sheila S. Blair is the Norma Jean Calderwood University Professor of Islamic and Asian Art and the Boston College and Hamad bin Khalifa Endowed Chair of Islamic Art, Virginia Commonwealth University.


"Sheila Blair is an acknowledged world authority on epigraphy and this book is a scrutiny of five specific examples, arranged chronologically."
- Jane Jakeman, The Art Newspaper

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