Survivor Archives of the Armenian Genocide

Remnants, Affects and Embodiments

Edited by Melanie S. Tanielian, Erdağ Göknar, Hülya Adak

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Demonstrates how objects, bodies, artistic practices, and diasporic performances function as archives of survival and knowledge

  • Demonstrates how diverse remnants, including tattoos, photographs, looted artworks, mass graves, family objects, textiles, activism and film, generate historical knowledge
  • Examines understudied cultural and historical sources, including literature, war-crimes tribunal records, museum objects, forensic evidence, film and diasporic artistic activism
  • Develops methods for reading absence, materiality and affect through archives, oral histories, photographs, museum catalogues, forensic evidence and artists’ archives
  • Extends debates in genocide studies to propose new methodological and ethical approaches to post-genocidal afterlives

Survivor Archives uncovers the vibrant afterlives of materials, gestures, images, and artistic practices that endure long after episodes of mass political violence. How do objects, bodies and performances remember what history tries to erase? These 'remnants' – from textiles to photographs, bones to plays, and to genocide survivors themselves – speak, resist and reimagine the past. The volume reframes archives not as dusty repositories but as living terrains of grief, desire and radical knowledge.

Drawing on the archival, affective and embodied turns in contemporary cultural studies, Survivor Archives brings together a distinguished group of historians, critics, artists and activists to chart a bold cartography of endurance. Focusing on Armenian genocide studies while pushing far beyond its conventional borders, the chapters traverse literary readings of Hagop Oshagan, legal analyses of Ottoman war crimes tribunals, humanitarian photography, museum misattribution, commemorative practices that enhance intercommunal solidarities and postmigrant coexistence, the necropolitics of human remains, the textures of textile memory, and the poetics of diasporic film. Together, the contributions expand historical, cultural and political notions of what constitutes an 'archive'.

Acknowledgments
Note on Transliteration
Editor & Contributor Biographies
List of Figures
Preface


Introduction: Survivor Archives
Melanie S. Tanielian, Erdağ Göknar, and Hülya Adak

PART I: REMNANT AFTERLIVES
1. Archiving Remnants: Literature and Catastrophe Before Genocide
Nanor Kebranian
2. The 'Remnants' of Ottoman War Crimes Tribunals in Allied Occupied Istanbul
Erdağ Göknar
3.Viewing Humanitarian Photographs of Tattooed Armenian Girls with a 'Disobedient Gaze'
Elyse Semerdjian
4. Save, Destroy: Undoing the Armenian Diaspora
David Kazanjian

PART II: AFFECTIVE OBJECTS
5. 'They Sold Our Neighbors’ Paintings Here': Dispossession and its Museal Afterlives
Banu Karaca
6. The Archive Photograph: Humanitarian Performance and the Foreclosure of Survival
Melanie Schulze Tanielian
7. The Afterlives of Dead Bodies: Necropolitics as Denial
Egemen Özbek
8. Non-Aligned Archives
Aikaterini Gegisian

PART III: EMBODIED PERFORMANCE
9. Diasporic Solidarities: Armenian Arts & Activism in Postmigrant Berlin
Veronika Zablotsky
10. The Afterlives of Textile-Objects and the Memory of Clothes
Marie-Aude Baronian
11. Diasporic Exorcism and Cryptonymic Afterlives of Catastrophe in Gariné Torossian's Stone, Time, Touch (2007)
Karen Jallatyan

Epilogue: The Names and the Archive
Marc Nichanian (translated by Gil Anidjar)

Terminology: Survivor Archives
Bibliography

Melanie S. Tanielian is an Associate Professor of History at the University of Michigan, Ann Arbor, and Director of the Program for International and Comparative Studies. She is a historian of war and society whose work focuses on the emergence of modern humanitarianism. Her first monograph, The Charity of War: Famine, Humanitarian Aid, and World War I in the Middle East, examines how the Ottoman home front confronted total war and mass starvation. Tanielian’s research explores how humanitarian practices take shape in moments of crisis, with particular attention to religious philanthropy, imperial and transnational networks, and the moral languages through which suffering was understood and addressed. Her second monograph, Scandals and Salvation: German Humanitarianism in the Eastern Mediterranean, 1896–1933 (forthcoming, Cambridge University Press), investigates how German Protestant humanitarians navigated moral controversy, religious commitment and geopolitical marginality, revealing scandal as both a crisis and a constitutive method in the development of modern humanitarianism. She has published int the American Historical Review, the Journal for Genocide Research, as well Humanity Journal among others. She is the co-editor of In the Spirit of H. Chandler Davis: Activism and the Struggle for Academic Freedom (Disobedience Press, 2026). Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.

Erdağ Göknar is Associate Professor of Turkish and Middle East Studies at Duke University and former director of the Duke Middle East Studies Center. He is a scholar of literary and cultural studies and an award-winning translator whose research focuses on the intersections of literature and politics in Turkey and the Middle East; specifically, on late Ottoman legacies in modern and contemporary Turkish fiction, historiography, and popular culture. His books and translations include Orhan Pamuk, Secularism and Blasphemy: The Politics of the Turkish Novel (Routledge, 2013); a co-edited sourcebook, Mediterranean Passages: Readings from Dido to Derrida (UNC Press, 2008); and English-language translations of Ahmet Hamdi Tanpınar’s A Mind at Peace (Archipelago Books, 2011); Orhan Pamuk’s My Name is Red (Knopf, 2010; 2001) and Atiq Rahimi’s Earth and Ashes (Harcourt, 2002; Other 2010). He has also written a collection of poetry, Nomadologies (Turtle Point, 2017), and co-edited Conversations with Orhan Pamuk (University Press of Mississippi, 2024). His articles and commentaries have appeared in South Atlantic Quarterly, the Journal of Middle East Women’s Studies, NOVEL: A Forum on Fiction, Literature and Theology, and the Los Angeles Review of Books. He is the recipient of two NEA Translation Fellowships, and his current research focuses on intersections of law and literature in the analysis of the Allied occupation of Istanbul (1918-23) and political violence through historical legal cases.

Hülya Adak is Senior Fellow at the Orient Institut Istanbul der Max Weber Stiftung and Visiting Professor of Gender Studies at the Margherita von Brentano Zentrum at Freie Universität Berlin. Between 2019-2022, she was the Director of SU Gender (Sabancı University's Gender and Women's Studies Center). She served as Professor of Ottoman and Turkish Studies at Freie Universität Berlin (2018-2020) and Assistant & Associate Professor of Comparative Literature and Gender Studies at Sabancı University (2001-2024). She is the recipient of the Alexander von Humboldt Fellowship for Experienced Researchers and Newton Grant (British Academy, with Murat Akser). Her articles in the fields of gender studies, memory and trauma studies, empire studies and nationalism, history of human rights, literature, theater, and film studies have been published in prominent journals, including the PMLA, New Perspectives on Turkey & South Atlantic Quarterly. Her recent works include Aesthetic Interventions to Gender-Based Violence and Sexual Violence (Special Issue of the European Journal of Women's Studies, 2025, with Julia Garraio); Critical Perspectives on Genocide: History, Politics and Aesthetics of 1915 (Routledge, 2023, with Müge Göçek and Ron Suny), Mapping Gender: What’s New and What’s Ahead in Ottoman and Turkish Studies (Max Weber Stiftung 2022, with Richard Wittmann); Performing Turkishness: Politics of Theater in Turkey and its Diasporas, (Special Issue of Comparative Drama, 2018, with R. Ertuğ Altınay), Halide Edib and Political Violence: The Armenian Atrocities, Dictatorship and Nonviolence (Bilgi UP, 2016, in turkish).

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