Katherine Mansfield and Russia

Edited by Galya Diment, Gerri Kimber, Todd Martin

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Examines the 'Russian influence' on both Mansfield’s craft as a short story writer and her life choices

Katherine Mansfield’s passion for Russian literature and culture is well documented in her letters and notebooks. Anton Chekhov was not just one of her most significant literary influences, but also a mythological presence with whom she mentally communicated every day. The emotional bond became even stronger when she discovered that the two of them shared the same deadly disease. But her fascination with Russia and its culture extended beyond Chekov and included the Ballets Russes and an interest in Russian politics, in part sparked by Maxim Gorky. She also read and assimilated several other Russian writers, including Fyodor Dostoevsky and Marie Bashkirtseff as well as Leo Tolstoy. This volume presents essays that engage with many aspects of Mansfield’s response to all things Russian as well as to the Russians she met in England and France. In addition, the volume presents a collection of images of Gurdjieff’s Institute at Fontainebleau, several of which have never been seen before.

Key Features
  • It includes contributions by both English and Russian scholars
  • Mansfield’s personal and artistic response to Russian literature, culture, philosophy, and art
  • Explores her responses to the actual Russians she met in England and — towards the end of her life — in France

Contents

 

Abbreviations

List of Illustrations

Acknowledgements

INTRODUCTION

Galya Diment

CRITICISM

‘Je ne parle pas français’: Reading Mansfield’s Underground Man

David Rampton

Post Diagnosis: Bashkirtseff, Chekhov, and Gorky through Mansfield’s Prism of TuberculosisGalya Diment

‘A child of the sun’: Katherine Mansfield, Orientalism and GurdjieffGerri Kimber

Near Misses: From Gerhardi to Mansfield (and back), via Anton ChekhovClaire DavisonMansfield, Movement and The Ballets Russes

Ira Nadel

At Home Among the Russians: The Short Stories of Olive Garnett and Katherine MansfieldFrances Reading‘The Only Truth I Really Care About’. Katherine Mansfield at the Gurdjieff Institute: A Biographical ReflectionPierce Butler

CREATIVE WRITING

Short Story

Owen Marshall: ‘The English Visitor’

Poetry

Fleur Adcock: ‘Tinakori Road’

Jessica Whyte: ‘Remedy’

Creative Nonfiction

Roger Lipsey: ‘Chez Monsieur Gurdjieff’

CRITICAL MISCELLANY

The Tree of Knowledge: New Insights on Mansfield, Oscar Wilde and ‘A Woman’Giles Whiteley

A Note on Some Unidentified Sources in Mansfield’s Reading from 1907

Giles Whiteley

Addicted to Mansfield: A Glimpse at the Ruth Elvish Mantz Collection in TexasGerri Kimber

REVIEW ESSAY

Katherine Mansfield in a Global ContextRishona Zimring

Notes on Contributors

Index

Galya Diment is Joff Hanauer Distinguished Professor in Western Civilization at the University of Washington in Seattle. She is the author of three books, among them A Russian Jew of Bloomsbury: The Life and Times of Samuel Koteliansky (2011), editor or co-editor of another three, and has published more than forty articles.

Gerri Kimber is Visiting Professor in the Department of English at the University of Northampton. She is co-editor of Katherine Mansfield Studies, and the author of Katherine Mansfield: A Hidden Life (2025), Katherine Mansfield – The Early Years (2016), Katherine Mansfield and the Art of the Short Story (2015), and Katherine Mansfield: The View from France (2008). She is the Series Editor of the 4-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2012–16). Together with Claire Davison, she has edited the 4-volume edition of Katherine Mansfield’s complete letters for EUP (2020–25).

A Professor of English at Huntington University, Todd Martin’s primary areas of interest are twentieth century British and American literature. He has published articles on such varied authors as John Barth, E. E. Cummings, Clyde Edgerton, Julia Alvarez, Edwidge Danticat, Sherwood Anderson and Katherine Mansfield. He is the editor of the forthcoming Katherine Mansfield and the Bloomsbury Group.

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