Explores the multiple ways in which Mansfield’s fiction resonates with the landscapes opened up by psychology and psychoanalysis
In line with the recent surge of critical interest in early psychology, the contributors read Mansfield’s work alongside figures like William James and Henri Bergson, opening up new perspectives on affect in her work. While these essays trace strands within the intellectual milieu in which Mansfield came of age, others explore the intricate interplay between Mansfield’s fiction and Freudian theory, seeing her work as emblematic of the uncanny doubling of modernist literature and psychoanalysis.
Interior Matters: Secrecy and Hunger in Katherine Mansfield’s “Bliss”, Polly Dickson
Katherine Mansfield and Vitalist Psychology, Clare Hanson
A Raft in the Sea of Loneliness: Katherine Mansfield’s Discovery of Cosmic Anatomy, Maurizio Ascari
Mansfield’s Psychology of the Emotions, Meghan Hammond
Feeling “Like a Work-girl”: Class, Intimacy, and Alienation in “The Garden Party”, Rebecca Thorndike-Breeze
Me or I? The Search for the Self in the Early Writings of Katherine Mansfield, Louise Edensor
“Jigging away into nothingness”: Knowledge, Language, and Feminine Jouissance in “Bliss” and “Psychology”, Allan Pero
“For the life of him he could not remember”: Post-War Memory, Mourning and Masculinity Crisis in Katherine Mansfield’s “The Fly”, Avishek Parui
Isn’t It, Paula Morris
The Portrait, Nina Powles
Fever Dream, Nina Powles
Silver Dream, Nina Powles
Katherine Mansfield, in the Archive and Hereafter, Eve Lacey
Poise, Angela Smith
Poise by John Duncan Fergusson: A rediscovered portrait of Katherine Mansfield?, Rachel Boyd
Patriarchal Pink: Gender Signification in Katherine Mansfield’s “The Little Governess”, Bronwen Fetters
Apples and Pears: Symbolism and Influence in Daphne du Maurier’s “The Apple Tree” and Katherine Mansfield’s “Bliss”, Setara Pracha
“The Thing Needed”: Katherine Mansfield, Psychology and Relationships, Todd Martin
Notes on Contributors.
About the Author
Gerri Kimber, Visiting Professor in the Department of English at the University of Northampton, is co-editor of the annual yearbook Katherine Mansfield Studies, and Chair of the Katherine Mansfield Society. She is the deviser and Series Editor of the four-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2016) and the author of Katherine Mansfield: The View from France, and A Literary Modernist: Katherine Mansfield and the Art of the Short Story.
W. Todd Martin is Professor of English at Huntington University, USA. He teaches twentieth-century British and American literature and has published on such various authors as John Barth, E. E. Cummings, Clyde Edgerton, Sherwood Anderson, Julia Alvarez, Edwidge Danticat, and Katherine Mansfield. He is the Membership Secretary for the Katherine Mansfield Society and the Liason-Editor for the book series Katherine Mansfield Studies.