Edited by Sarah Ailwood, Melinda Harvey
Katherine Mansfield and Literary Influence identifies Mansfield’s involvement in six modes of literary influence - Ambivalence, Exchange, Identification, Imitation, Enchantment and Legacy. In so doing, it revisits key issues in Mansfield studies, including her relationships with Virginia Woolf, John Middleton Murry and S. S. Koteliansky, as well as the famous plagiarism case regarding Anton Chekhov. It also charts new territories for exploration, expanding the terrain of Mansfield's influence to include writers as diverse as Colette, Evelyn Waugh, Nettie Palmer, Eve Langley and Frank Sargeson.
The editors offer a refreshing new look at the anxiety, or lack of it, of influence. Bonny Cassidy writes, influence is ‘a bushfire: it jumps and lands.’ Contributors show how Mansfield absorbed her eclectic reading and how writers as diverse as Evelyn Waugh and Nettie Palmer responded to the stimulus of her stories.
The beautifully organised essays combine in fascinating ways to suggest new theoretical approaches to the question of Katherine Mansfield’s impact on twentieth-century fiction. Well-grounded in both critical theory and literary history, these essays complicate older models of influence study and reveal unexpected interconnections between Mansfield and other writers.