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John Webster, Renaissance Dramatist

David Coleman

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Transgressive and darkly brilliant, the drama of John Webster has long been recognised as one of the crowning glories of the English Renaissance. But this apparently idiosyncratic individual, fascinated by insanity, corruption, and the macabre, was also a successful businessman, involved in trade networks beyond the theatre, and writing most of his plays in apparently amicable collaboration with a host of other dramatists. Such is the enigma of John Webster; caricatured as a pessimist obsessed with morbidity and death, Webster's true significance lies in his ability to perceive that the darkness at the heart of humanity must co-exist with the routine and the social interaction of everyday life.

John Webster, Renaissance Dramatist locates Webster's remarkable plays within the context of the culture from which they sprang. Examining the uncertain political, religious, and economic climate of Jacobean London, this book offers a guide to one of the most distinctive, yet most elusive, voices of Renaissance England. Introducing readers to both the great tragedies, The Duchess of Malfi and The White Devil, and the lesser-known works, this book explains why Webster has fascinated and horrified generations of critics and theatregoers, and argues that the relevance and resonance of Webster's drama continues to grow.

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Contents

Prologue: Webster's Aesthetic Relativism
1. A London Life
2. Textual Culture: Webster's Collaborative Drama
3. 'Changeable Stuff': The White Devil
4. 'Rich Tissue': The Duchess of Malfi
5. 'Worthy Parts': The Devil's Law-Case
6. 'Gleefully Savage': The Tragedies in Performance
7. Bibliography
Index.

About the Author

David Coleman is Lecturer in Early Modern Literature at Queen's University Belfast. He is the author of Drama and the Sacraments in Sixteenth-Century England (Palgrave Macmillan, 2007) as well as a contributor to The Literary Encyclopaedia.

Reviews

This short, accessible study of Webster will be of value to lecturers and students alike, and is testament to the growing attention to, and demand for, work on a wider range of early modern dramatists.

- Years Work in English Studies, vol 91, no 1, 2012

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