Explores the productive tension between historicist and nonhuman readings of James Joyce’s Finnegans Wake
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Features work from leading Joyce scholars
Informed by a range of contemporary literary theories and approaches (nonhuman studies, new materialism, the Anthropocene, ecocriticism, ecofeminism, ecomedia studies, animal studies, the blue humanities, petroculture studies, climate change, genetic criticism)
Contains chapters on Joyce’s engagement with the intersection of human and planetary issues in Finnegans Wake through the coordinates of state power, colonialism, gender, sexuality, religion, cultural production
Suggests Finnegans Wake as a vital site for reflecting on literature’s role in addressing the crises of the Anthropocene and anthropogenic climate change in a twenty-first-century context
Compares and contrasts the Wake’s depiction of human and nonhuman histories with other key intellectual movements and literary figures, including vitalist philosophy, Irish revivalism, avant-garde modernism, French realism, animal satire, psychology, music, Irish ballads and poetry
Finnegans Wake – Human and Nonhuman Histories opens new ground by exploring the productive tension between anthropocentric and non-anthropocentric readings of James Joyce’s final modernist masterpiece. Drawing on the most up-to-date theories and methodologies (the Anthropocene, new materialism, petroculture studies, the blue humanities, animal studies, ecofeminism, ecomedia), twelve leading Joyce scholars offer valuable new insights into the interwoven historical and planetary dimensions of Finnegans Wake. The volume’s focus allows the contributors to read the Wake’s nonhuman imaginary in original, often surprising comparative contexts (colonialism, the Irish Revival, the Free State’s energy policies, the invention of television) and to spotlight enlightening nonhuman themes in Joyce’s circular history (bogs, storms, rivers, bodily fluids, skin, wolves, mourning, DNA, atoms, labour, music). As these chapters show, a century later, Finnegans Wake remains a vibrant and vital text in which to interrogate the limits, exploitations and common plight of human and nonhuman life in the 21st-century.
Acknowledgements Abbreviations Notes on Contributors
Introduction – Finnegans Wake: Joyce’s ‘cyclewheeling history’ of ‘our funnaminal world’ Richard Barlow and Paul Fagan 1. Fossils and Fossil Fuels: Nonhuman Energy and Decay in Finnegans Wake Katherine Ebury 2. ‘The night of the Apophanypes’: Finnegans Wake and the Big Wind of 1839 Katherine O’Callaghan 3. River, Sea, Rain: Bodies of Water in ALP’s Soliloquy Shinjini Chattopadhyay 4. Hydrofeminist Histories: The Phenomenology of Bodily Fluids in Finnegans Wake Laura Gibbs 5. Finnegans Wake and the Irish Revival Richard Barlow 6. ‘piously forged palimpsests’: Nonhuman Skins in Finnegans Wake Paul Fagan 7. Becoming Wolf: The Nonhuman Life of Shem the Penman Annalisa Volpone 8. Impossible Mourning in Finnegans Wake Christopher DeVault 9. ‘Life… is a wake, livit or krikit’: Life – from a Nonhuman Perspective Sam Slote 10. Finnegans Wake: Atomic Ruben Borg 11. ‘singsigns to soundsense’: Music and the Nonhuman in Finnegans Wake Michelle Witen 12. Crowdsourcing the Wake Ronan Crowley Bibliography Index
An apt combination of text, topic, and contributors. With verve and urgency, these essay writers take up the discourses of new materialism, animal studies, ecocriticism, and genetics, as well as physics, historicism, feminism, and psychoanalysis, to draw out the interconnectedness of the human and the nonhuman in the Wake.
Richard Barlow is an Associate Professor at Nanyang Technological University and a former Academic Director of the Trieste Joyce School. He is the author of The Celtic Unconscious: Joyce and Scottish Culture (2017) and Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms (2023).
Paul Fagan is an Irish Research Council fellow at Maynooth University. He is a co-founder of the International Flann O’Brien Society, a founding general editor of The Parish Review: Journal of Flann O’Brien Studies, and an elected member of the International James Joyce Foundation Board of Trustees. Paul is the co-editor of Irish Modernisms: Gaps, Conjectures, Possibilities (2021) and Stage Irish: Performance, Identity, Cultural Circulation (2021) as well as four edited volumes on Flann O’Brien. He is currently finalising monographs on ‘Irish Literary Hoaxes’ and ‘Celibacy in Irish Women’s Writing, 1860s–1950s'.