Finnegans Wake – Human and Nonhuman Histories

Edited by Richard Barlow, Paul Fagan

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Explores the productive tension between historicist and nonhuman readings of James Joyce’s Finnegans Wake

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Acknowledgements
Abbreviations
Notes on Contributors

Introduction – Finnegans Wake: Joyce’s ‘cyclewheeling history’ of ‘our funnaminal world’
Richard Barlow and Paul Fagan
1. Fossils and Fossil Fuels: Nonhuman Energy and Decay in Finnegans Wake
Katherine Ebury
2. ‘The night of the Apophanypes’: Finnegans Wake and the Big Wind of 1839
Katherine O’Callaghan
3. River, Sea, Rain: Bodies of Water in ALP’s Soliloquy
Shinjini Chattopadhyay
4. Hydrofeminist Histories: The Phenomenology of Bodily Fluids in Finnegans Wake
Laura Gibbs

5. Finnegans Wake and the Irish Revival
Richard Barlow
6. ‘piously forged palimpsests’: Nonhuman Skins in Finnegans Wake
Paul Fagan

7. Becoming Wolf: The Nonhuman Life of Shem the Penman
Annalisa Volpone
8. Impossible Mourning in Finnegans Wake
Christopher DeVault

9. ‘Life… is a wake, livit or krikit’: Life – from a Nonhuman Perspective
Sam Slote
10. Finnegans Wake: Atomic
Ruben Borg
11. ‘singsigns to soundsense’: Music and the Nonhuman in Finnegans Wake
Michelle Witen

12. Crowdsourcing the Wake
Ronan Crowley

Bibliography
Index

An apt combination of text, topic, and contributors. With verve and urgency, these essay writers take up the discourses of new materialism, animal studies, ecocriticism, and genetics, as well as physics, historicism, feminism, and psychoanalysis, to draw out the interconnectedness of the human and the nonhuman in the Wake.
Catherine Flynn, University of California, Berkeley
Richard Barlow is an Associate Professor at Nanyang Technological University and a former Academic Director of the Trieste Joyce School. He is the author of The Celtic Unconscious: Joyce and Scottish Culture (2017) and Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms (2023).

Paul Fagan is an Irish Research Council fellow at Maynooth University. He is a co-founder of the International Flann O’Brien Society, a founding general editor of The Parish Review: Journal of Flann O’Brien Studies, and an elected member of the International James Joyce Foundation Board of Trustees. Paul is the co-editor of Irish Modernisms: Gaps, Conjectures, Possibilities (2021) and Stage Irish: Performance, Identity, Cultural Circulation (2021) as well as four edited volumes on Flann O’Brien. He is currently finalising monographs on ‘Irish Literary Hoaxes’ and ‘Celibacy in Irish Women’s Writing, 1860s–1950s'.

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