Edited by D. J. S. Cross
Examines the place and function of affect throughout Deleuze’s work
Deleuze and Affect brings together work from emerging and established scholars to address and reassess the role of affect in Deleuze’s work and its legacy in the critical humanities. Affects are not merely new sensations; they are, more radically, new sensibilities. They therefore have the potential to redefine the very conditions of experience, to open new relations to the world, and to reshape each discipline.
The multidisciplinary contributors to this volume place affect squarely at the intersection of diverse fields and disciplines from philosophy and literature, visual studies and film studies, art and architecture, through to politics and economics.
In an age in which the sciences unlock more and more secrets of a body that is also, paradoxically, becoming more and more precarious, this volume examines the stakes and spectrum of what it means 'to affect’ and 'to be affected'.
Introductions: Deleuze and Affect
D. J. S. Cross
Part I: Spinoza and the Problem of Affection
1. The Evolution of Deleuze’s Concept of Affect
Daniel W. Smith
2. In God or in Chaos: The Difference between Spinoza’s and Deleuze’s Conceptions of Beatitude
Leonard Lawlor
3. Deleuze and the Many Faces of Affect: An Epistemo-Ethical Account of What Affects Do and Why We Need Them
Janae Sholtz
Part II: Politics of Affect
4. The Passion of Abolition: Deleuze and Guattari and the Affective Politics of Fascism
Aidan Tynan
5. The Production of Reality: Deleuze & Work, via Affected Labour
Alexia Cameron
Part III: Affects Critical and Clinical
6. The Birth of the Clinical in the Philosophy of Gilles Deleuze
Patricio Landaeta
7. Deleuze and Bergman: Persona and the Affection-Image
Richard Rushton
8. Affective Dissonance and Architectural (Dis)Repair
Hélène Frichot
Part IV: Surfaces, Inscriptions, Affects
9. The End of the Book and the Beginning of Affect
Claire Colebrook
10. Between Derrida and Deleuze: Bodies without Organs
Nibras Chehayed
11. Deleuze’s Khôratic Fingers
James Martell
Notes on Contributors
Index