Christmas, Ideology and Popular Culture

Edited by Sheila Whiteley

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How do we understand Christmas? What does it mean? This book is a lively introduction to the study of popular culture through one central case study. It explores the cultural, social and historical contexts of Christmas in the UK, USA and Australia, covering such topics as fiction, film, television, art, newspapers and magazines, war, popular music and carols. Chapters explore the ways in which the production of meaning is mediated by the social and cultural activities surrounding Christmas (watching Christmas films, television, listening or engaging with popular music and carols), its relationship to a set of basic values (the idealised construct of the family), social relationships (community), and the ways in which ideological discourses are used and mobilised, not least in times of conflict, terrorism and war.

Key Features

  • Offers an incisive account of the ways in which Christmas relates to social change, and how such recent events as 9/11 and the conflict in Iraq focus attention on traditional themes of community and family.
  • Case studies include A Christmas Carol, Coca-colonisation and Santa Claus, Victorian cartoons and Christmas cards, Dr Who and 'Happy Christmas (War is Over)'
  • Includes 18 B&W illustrations.

Introduction (Sheila Whiteley)
1. The Invention of the English Christmas (John Storey)
2. Christmas and Religious Practice (Jennifer Rycenga)
3. Christmas Art, Christmas Cards (Sara M. Dodd)
4. Consumption, Coca-Colonisation, Cultural Resistance (George McKay)
5. A Family Christmas (Thom Swiss)
6. Reflections on a Jewish Childhood during Christmas (Gerry Bloustien)
7. Christmas and War (Christine Agius)
8. Christmas and the Media (Tara Brabazon)
9. Christmas No. 1s (Freya Jarman-Ivens)
10. Christmas and Romance (Sheila Whiteley)
11. Christmas Films (John Mundy)
12. Christmas Carols (Barry Cooper).
Sheila Whiteley is Visiting Professor (Media) at the University of Brighton and author of Women and Popular Music (2000) and Too Much Too Young: Popular Music, Age and Gender (2005) and editor of Sexing the Groove: Popular Music and Gender (1997) and Queering the Popular Pitch (2006).

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