Recommend to your Librarian

Request a Review Copy


Beyond Eastern Noir

Reimaging Russia and Eastern Europe in Nordic Cinemas

Anna Estera Mrozewicz

Hardback (Not yet published)
£75.00

The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic film

Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension. Departing from the dark and lawless stereotypes that have characterised much of ‘Eastern noir’, the book presents Russia and Eastern Europe as imagined spaces of rich and previously neglected cinematic diversity. Cross-disciplinary in its approach, with in-depth case studies of films, documentaries and television dramas like Lilya 4-ever, A Pigeon Sat on a Branch Reflecting on Existence and Occupied, this book sheds light on a variety of differing perspectives and considers how increasingly transnational affinities prompt a reimagining of Norden’s eastern neighbours.

Show more

Contents

Acknowledgements
Introduction: The Iron Curtain effect: Nordic Eastern noir
Chapter 1: Borders: Russia and Eastern Europe as a crime scene
Chapter 2: Boundaries: Infiltrated identities
Chapter 3: The Baltic boundary
Chapter 4: Guilt and shame in (trans)national spaces
Chapter 5: Embodying the fear of Russia: The militarised body
Chapter 6: Polish spectres in our house: Revisiting the Nordic metaphor of the home
Afterword: Beyond Eastern noir: Toward a new (cinematic) space
Bibliography
Filmography

About the Author

Anna Estera Mrozewicz is Assistant Professor in the Department of Film, Media and Audiovisual Arts at Adam Mickiewicz University in Poznań, Poland. She pursued post-doctoral studies at the Department of Scandinavian Studies and Linguistics, University of Copenhagen (2010–12).

Reviews

Beyond Eastern Noir offers a razor sharp and utterly compelling account of how Russia and Eastern Europe are imagined in Nordic cinemas. Especially intriguing, and, indeed, convincing, is the claim that the relevant imaginings have consequences within the Nordic region itself. Mrozewicz makes a very fine contribution to Nordic cinema studies, genre studies, and the still emerging field of transnational cinema studies. This is a rich and highly readable work

- Professor Mette Hjort, University of Copenhagen

You might also like ...