This book argues that the abject, decrepit body in Beckett does not signal the impossibility of agency but demands its reconceptualisation. Analysing the representation of the body in relation to the environment in Beckett’s work, the author interrogates the power to do and act. Separating dynamic interaction from willed intention, Amanda Dennis shows how Beckett’s oeuvre refashions subjectivity in dialogue with a disintegrating environment. The book provides a phenomenological reading of Beckett to argue that sensation and embodiment support our interactions with our material world, enabling possibilities for embodied agency in collaboration with our physical and linguistic surroundings.
AbbreviationsAcknowledgements
Introduction: Embodied Agency: Towards an Ecology of the Subject
1. From Cartesian Ruins: Rocking Chair Phenomenology
2. Short-Circuited Rationalism, or How the Body Means
3. From Dialectics to Infinity: Life Cycles in Molloy, Malone Dies and Endgame
4. Radical Indecision: Aporia and Embodied Agency in The Unnamable
5. Style and the Violence of Passivity: How It Is
6. Compulsive Bodies, Creative Bodies: Quad
7. The Body and Creation: Worstward Ho
8. Conclusion: Embedded in the World: Beckett, Late Modernism, Earth-Body Art
Index
Attending to the "meaning-making potential of the body in space," Amanda Dennis demonstrates the continuing value of Merleau-Ponty’s phenomenology for an understanding of Beckett’s posthuman ecology. Beckett and Embodiment is a timely and important study written with a keen and critical intelligence.